Richardson is a symbol of a lost Black queer archive inaccessible to future generations of Black queer filmmakers. Continue reading →

In advance of the 92nd Academy Awards, our programmers take the opportunity to reflect on the Oscars, their perceived importance, and the year in cinema at large. Continue reading →

Bellocchio subtly, uncannily evokes collapsing temporalities, charting with a single judicious juxtaposition an entire century of change. Continue reading →

Rhythm is key throughout the film. Every moment is like a drumbeat that creates a hypnotizing, syncopated cadence. Continue reading →

Although bound by Dafoe’s presence, it’s a film that seems to flout conventional notions of coherence, its arresting movements governed by discontinuity, irruption, and surprise. Continue reading →

Throughout her career, the artist has inhabited an impressive range of characters while drawing directly from the iconography of popular cinema and mass media. Continue reading →